Discarding the inessential

An excerpt from an interview with the irreplaceable Bruce Lee. Bruce devoted his entire adult life to train his mind and body to carve away all the inessentials in his art of Jeet Kune Do.

“Ultimately, martial art means honestly expressing yourself.” — Bruce Lee

Listening to oneself, to one’s inner voice, is a very hard thing to do. In fact, it’s probably the most difficult battle the artist faces everyday — to align both the heart and mind in the same direction.

The goal of the artists is always to find a way to make the most deep and honest expression of his inner self — to allow for that hidden spirit and creative drive to thrust itself forwards and outwards into tangible, physical reality. He has to find his form, then say it in the most direct manner. This is what it means to be a craftsman. Everything he uses is mere resource or methodology, tools and techniques that might help turn vision into reality. He must draw energy from his passions but also be receptive to nature — ever listening, ever attentive — so that creative inspiration might find a welcome landing place in his heart-mind. Once he recieves such a blessing, he must charge forward into action, with all his will and all the discipline that he can muster.

“The artist should have a powerful will. He should be powerfully possessed by one idea. He should be intoxicated with the idea of the thing he wants to express. If his will is not strong he will see all kinds of unessential things”. — Robert Henry

This is the hardest thing for the artist; to find out what he must do, and then go do it. The former can sometimes be more difficult than the latter. But once an idea worth exploring makes itself known — a great story or a magnificent vision of color or form — he must take hard action, and that comes with its own challenges. First he must do the homework by engaging with it directly gathering resources and organizing actions while innovating in all the ways necessary to help that idea blossom into a powerful reality. And in that process, he fights, struggles, falls down and gets back up to fight again. And what is he fighting? He fights resistance and chaos, those entropic forces that will do anything to sabatoge his right to create. He must be tenacious so as to establish and maintain order. He must identify the potentialities and the discrepancies in his work and, like a sculpter, work painstakingly (and sometimes ruthlessly) to discern between the essential and the inessential, discarding any and all redundant or superfluous material that might impede perfect execution so that only his ultimate creation remains. In the biggest picture, the journey of art, like that of life, is reductive rather than additive; he must negate the inessential and turn his focus on what to eliminate more than what to accumulate. He must do this both materially and mentally.

The marble statue of Laocoön and His Sons, which sits in the Vatican is perhaps the most amazing sculpture ever created (by three surpassing sculpters Agesander, Athenodoros and Polydorus between 42-20BC). It is a creation so technically brilliant and physically spellbinding that even the great Michelangelo stood in awe of its mastery.

Thus, the true artist primarily focuses on only two things: listening and responding. The collection of his seeing — listening with his eyes and mind — brews inside him, while his passion puts the kind of perfect action into order resulting in a concoction that’s totally new, totally unique and totally fresh. It’s a brew that has been filtered from lavishness or excess, leaving his art with all that it needs, no more no less. LIstening to his heart, he has freed it from any inessential qualities by making hard decisions, not ones logically calculated nor ones hastily made. He’s wary of overthinking as much as overreacting to the whim of his sometimes rattled emotions. Because the artist requires directness and clarity. He knows that if his heart-mind is a mess, his work will reflect that. He knows his final work has no need for fancy fabrications, and this applies as much to his art as much as in his life. He abides by big picture thinking and desires no noise and no unnecessary complexities. Having numerous options brings him no glee. He knows that when he acts and lives simply, he lives free and leads a life towards mastery. He’s not concerned with cunning strategies or “getting ahead.” There’s no fear of missing out. The commonly “respected” preoccupation with possession, position, prestige or even productivity mean nothing to him. Mindful that greed and excess is both insidious and damaging to his creative spirit (and to his being in general), he views such deviations insubstantial and petty. His concerns are set upon living and living creatively. He knows that in the act of creation, he honors his creator. It is a religious act. And in so doing, he is rewarded with immeasurable joy, gratitude and peace. His life serves as a light to himself and to others, seeding growth within he illuminates paths in a world too often filled with the darkness of ignorance and conflict. Ultimately, he knows that to create and live simply is to live boldly and directly, and because such humble and honest expression of the self is actually unselfish, his act of creation becomes the most generous, courageous and refreshing thing he can do.

“Those that much covet are with gain so fond,

For what they have not, that which they possess

They scatter and unloose it from their bond,

And so, by hoping more, they have but less;

Or, gaining more, the profit of excess

Is but to surfeit, and such griefs sustain,

That they prove bankrupt in this poor-rich gain.”

― William Shakespeare, The Rape of Lucrece

The Big Picture

Image from Steve Martin’s funny and intellgent comedy L.A. Story.

“Great knowledge sees all in one. Small knowledge breaks down into the many.” — Chuang Tzu

I remember this great moment from Steve Martin’s brilliantly written fantasty romance-comedy L.A. Story. It was the last scene of the movie, the hero has defeated all the odds, won the heart of the woman he loves and has found true happiness. Talking to the magical freeway sign which has aided him, Harris K. Telemacher (Steven Martin) asks out loud “How did this all happen?” It responds “Remember. There are more things in heaven and earth Harris than are dreamt of in your philosophy.”

Such is also the message here, in this seemingly insignificant little blog about creative living. We truly know so little about the universe. But we do know that it’s only with astute awareness and a full heart that we might engage with this world in any significant way — a way which might bring about some meaning and joy to our relatively short lives. It’s also about the multitude of things that we do and the attention we give them. Ultimately, it’s about seeing the big picture — engaging with those early questions about life that we once had as children but have lost sight of as we grow older, for we’ve all been too caught up pursuing quite arbitrary things such as superficial goals and unnecessary possessions chasing efficiency while living day to day in constant physical and psychological conflict, rushing to the end while fearing it at the same time. To parallel the thoughts of writer/philosopher Albert Camus, it all seems awfully absurd. But there is a way to preempt that, and stopping to look at the big picture forces us to wake up and re-assess. Because by pausing to reflect and actually see, we enable ourselves to be reborn.

Here are some small thoughts with a bigger world in mind:

Know what you’re doing and don’t just do things because you “should”. Be suspicious of where you’ve gotten the “should” from.

Build knowledge and build skill but always be aware of its limitations.

Be prepared. If you know what you’ve got to do, do the prep work, otherwise struggle and chaos will dominate as you will have no order in your process.

Have a vision of at least 80% as to what you want and where you’re heading. let the remaining 20% be decided by the universe.

Exploration and innovation are not business buzzwords, the heart of them lies within the individual and the search for something personal, exciting and new.

If you’re doing visual art, make your plans visual. Put things on paper for ideas in the mind are easily muddied and have a short life span.

Know what real authority is — the word comes from the root meaning “to author” or “to authenticate” — true authority is measured by true capacity (skill, knowledge, experience and originality) not title or position.

It takes real intelligence to be humble and loving. As Robert Henri said ” A man cannot be honest unless he is wise.”

If you want to understand the whole, look at the relationship of things. This is true with art and life.

The highest skill of an artist is composition — seeing the whole movement of things.

If we don’t ask the ethical questions, we’ve lost sight of being human. Any excellence outside of our morality becames a danger to it.

Seeing the whole applies also to the individual self; mind, heart and body need to be healthy and in harmony. Remember to sharpen the saw.

When in doubt, lead with your heart (or that right hemisphere of your brain) not your egoic (left-hemispheric) mind.

You’ll know you’re making the better choice when it seems like no choice at all. Freedom doesn’t come from having a bevy of options but rather the clarity to act and do as one must.

Relate the small things in your art to the big things, only then will they become significant.

If you’re loaded with fear or anxiety, beware of your desires for they are two sides of the same coin.

Order comes before discipline, not the other way around. And all order must originate from within. Externally imposed order is no order at all but disorder and violence.

Develop an unusual level of thinking about things; be your own light. Don’t just follow tradition or trends. Be truly responsible (or response-able).

LIke a good archer, practice hard and aim for the target, but have no expectations of any desireable result. Be free from such burdens, only then will your arrow fly straight and far.

Know that if you’ve got no energy, you won’t be able to see right. And not seeing right, you’ll do wrong.

To “live each day like it is your last” is not mere platitudinousness — it prioritizes rightly all your actions.

The bigger you see, the calmer and wiser you’ll be. Life’s actions will naturally become more choiceless and stress-free.

“Demand not that things happen as you wish, but wish them to happen as they do, and you will go on well.” — Epictetus