Shot Analysis: Medusa

One of my favorite shots done by Milt Kahl from his work on Disney’s Rescuers. Here, Kahl exhibits creative motion, superb attitude and perfectly staged mechanics.

Today, without too much explanation or annotation I’d like to show how I might look at a scene for study. In this case, it’s a very rough and quick breakdown of an excellent but complex piece of animation to try to get a feel for how an artist/animator may have set up his/her work. Sometimes, in my sessions working with students I will roughly “work over” a shot going through what I feel might be the building blocks — the major animation keys — that dictate the attitude, tempo and overall mechanics involved. This gives the novice/apprentice animator the opportunity to see how a skilled, experienced professional “sees” and how he/she might envision the work as it’s being created. As I’ve always contended, learning art through words is very difficult; it can only be shown.

The loose markings I’ve made in the following screenshots represent the mindset I might take when analyzing a piece of animation — going through the forces, both internal and external. I take the approach as if I, myself, were animating the shot. Separating section by section, as well as visualizing the whole, what is complex is then simplified. I try to feel all the necessary physicality and emotions required. Enjoy!